Showing posts with label BELIEVE IT OR NOT. Show all posts
Showing posts with label BELIEVE IT OR NOT. Show all posts

Monday, November 11, 2013

Giving away my recipe for salmon chowder, a signed copy of Believe it or Not, and the secret behind page 99

If you've ever acquired a copy of Believe it or Not from me – either in a contest, at a book signing, or by breaking into my home and stealing one – there was a bookmark stuffed inside.

You probably didn't notice it, nor did you make note of what page it was on, but I did.

That's because every copy of my sophomore romantic comedy that passes through my hands gets a little extra love on page 99. It's the start of a scene that always makes me smile because of the story behind it.

Back in the spring of 2011, there was a lot happening in my life. I was preparing for the release of my first romantic comedy, Making Waves, while doing editorial revisions on the book slated for release six months after that,  Believe it or Not.

I was also spending time with a handsome, kind, smart, funny gentleman with whom I'd been acquainted for many years, but had never known particularly well until I asked him to mentor me through a difficult divorce.

While the divorce mentoring was helpful, I had an ulterior motive in spending time with him. I sincerely wished to jump his bones, so I hatched an evil plan to seduce him using the best tools in my arsenal: food, alcohol, and cleavage.

I invited him to join me on a beer-related outing for my day job, followed by dinner at my house. I wore a low-cut sweater and prepared my famous salmon chowder. As we sat on the sofa chatting afterward, I edged closer and closer, eventually tucking my bare feet under his leg under the pretense of warming them. With the touch barrier broken, he offered up a foot massage that evolved into a calf massage that evolved into . . . well, I'll stop the story there to preserve some semblance of mystery.

Simmering salmon chowder with aphrodisiac powers.
Of course, if I wanted to preserve the mystery, I wouldn't have used that experience as the basis for a romantic scene in Believe it or Not that begins on page 99. When my editor asked me to add a couple more sexy scenes to the book just a few weeks after that fateful evening on the couch, I decided to pay homage by having Drew and Violet engage in a little sofa leg massage flirtation of their own. I won't claim the scene is a blow-by-blow (ha!) account of what happened that evening, but things seem to have worked out nicely for all of us in the 32 months since then. I'm not sure when Drew and Violet's wedding will be, but ours is next September.

While I'd like to extoll the seductive powers of my legs and cleavage, I'm pretty sure the salmon chowder deserves most of the credit. In case you need to seduce someone (or, yanno, just put a nutritious and tasty meal on the table) here's my recipe:

Tawna's Salmon Chowder
  • 4-5 slices of bacon
  • 1 small onion, diced
  • 4 cups chicken broth
  • 1 cup milk (I use skim)
  • 1 small can evaporated milk
  • 2 cups frozen corn
  • 4-5 small red potatoes, cubed
  • 2-3 carrots, chopped
  • 2 salmon filets 
  • A small amount of milk for poaching salmon (maybe 1/3 cup)
  • Dill to taste (I use tons)
  • Salt and pepper to taste
Fry the bacon in your soup pot until crisp. Remove it and let it cool before crumbling it and setting it aside. In the bacon grease remaining in your soup pot, saute the onions until soft and golden brown. Add the carrots and saute a few more minutes to blend flavors. Add corn, potatoes, and chicken broth and simmer for about 30 minutes.

While the soup is simmering, sprinkle your salmon filets with salt and pepper and put them in a pot with a little milk. If you have some scraps of onion and carrot left over, sprinkle them on the salmon as well to lend a little flavor. Cover tightly with a lid and poach for a 3-5 minutes. Remove from heat and let sit for 5 more minutes before removing from the liquid, tossing the carrots/onion, and flaking the salmon with a fork. Set aside.

Dinner is served!
Return to your soup pot and give it a good stir. Add both the evaporated milk and the regular milk and bring to a simmer for 10-15 minutes more. Slowly add the salmon and bacon and simmer for 10-15 minutes more. Season with salt, pepper, and dill and serve hot with sourdough bread and a good white wine or rosé.

***

Since I'm in a giving sorta mood with the story and the recipe and all, how about I give away a signed copy of f Believe it or Not , too?

Leave a comment describing your best seduction meal. Recipes or links are helpful, but just a description of the dish will suffice. I'll pick a winner next Monday.

Cheers!

UPDATE: I've had several readers report they're unable to leave comments when they attempt it from a mobile device. I'm working to figure out a long-term solution, but in the meantime, you should be able to comment from a desktop computer or by selecting the web version of my blog (not the mobile version) from your mobile device. 



Thursday, August 16, 2012

Pretty much the worst book giveaway ever

Several months ago, I shared how my pets were obsessed with the giant box of Believe it or Not sent to me by my publisher.


Their obsession eventually waned, and I worked my way through the stockpile of books doing giveaways and promotions.

On the day we moved from our old house to the new one, I peered into the box and discovered one copy remaining.

Unfortunately, someone peed on it.
For the record, it's not saturated or anything. Just lightly drizzled.

The housemates vehemently deny using my book box as a urinal, and I checked all the book's Amazon reviews to make sure no one posted anything like, "this book sucks, so I took a whiz on it."

I don't mean to point fingers here, but I'm pretty sure it was one of the cats. My money is on Maestro, my gentleman friend's favorite among our five felines:
Maestro. Is he the guilty party?

But it's also possible Matt the Cat or Blue Cat committed the offense while jockeying for position in my writing space.
Or was it Blue Cat or Matt the Cat?

No matter, the damage is done. It got me thinking about those weird eBay auctions you see sometimes where someone's selling a piece of gum chewed by Britney Spears, or a Kleenex someone swears Tom Hanks blew his nose in.

So who'd like to own a copy of of Believe it or Not that's been peed on by my cat?

*crickets*

Don't all raise your hands at once.

OK, seriously. Tell me in the comments who you think peed on the book, and why you deserve this very special copy of Believe it or Not.

I'll choose a winner at noon PST on Sunday, August 18. That person will receive the copy of  Believe it or Not that's been ceremoniously anointed by someone in my house, plus one additional, signed copy of the book for your personal use. I'll package the pee copy in a baggie or something to keep it fresh for you, and I'll try not to let it touch the non-pee copy (because obviously we wouldn't want the non-pee copy to taint the pee copy – it might devalue it or something).

Questions? Comments? Suggestions on where I might go to find a qualified mental health professional?

I told you this was pretty much the worst book giveaway ever.

Monday, March 5, 2012

It's release week for my second romantic comedy, "Believe it or Not!"

My second romantic comedy, Believe it or Not, hits shelves this week on Tuesday, March 6.

The best thing about having been through this before is that I learned a few lessons the hard way. Chief among them, the promotional obligations surrounding release week are intense enough to make a sane woman leap onto the dining room table wearing lederhosen and fishnets while slapping her forehead with a pancake turner and singing Warrant's "Cherry Pie."



Incidentally, that song (and many other butt-rock tunes) play a significant role in Believe it or Not. Also, now you'll have that song stuck in your head all day long. You're welcome.

My point in all this (because, believe it or not – ha! I just referenced my book title without meaning to! ahem – believe it or not, I do have a point) is that with the last book release, I made the mistake of thinking I could keep up with daily blog posts here as well as on the "virtual book tour" the publicist so kindly arranges for me.

Combine that with blogging duties for the day job and a deadline for the next episode of Getting Dumped, and it's pretty much a recipe for insanity.

So here's the plan – I may or may not blog here this week, and I'm going to forgive myself (and beg you to forgive me as well) if I don't report for duty.

But I will tell you where you can go to not only read brand new blog posts almost every day this week, but to have a shot at winning a copies of Believe it or Not (copies Sourcebooks generously donates as part of this virtual book tour).

So here we go:

On Monday, March 5, I've got a guest blog up at Heroes and Heartbreakers, where I'll be talking about Building characters with career research and sequined g-strings. That awesome site is also running a fabulous feature right now, where they not only give you the chance to win a copy of Believe it or Not, they let you read the first two chapters for free. That runs through March 9, and you'll find it here. 

On Tuesday, March 6, I'll be at Love, Romance, Passion answering interview questions ranging from the funniest thing that's ever happened to me, to how I define love. They're giving away a free book as well, so don't miss that one. 

Also on March 6, I'll be at Flirting with Fiction answering questions ranging from the superpower I'd like to have, to my childhood Hollywood crushes.

On Wednesday, March 7, I'll be at the Sourcebooks Casablanca author blog talking about....crap, have I not written that post yet? Um, well. It'll be something interesting. I hope. Dear God, I really hope. No matter, they're giving away a free book, too. Go win it.

On Thursday, March 8, I'll be at Book Savvy Babe answering questions ranging from what my hippie name should be, to what qualities a good protagonist should have (besides a nice butt, apparently). They'll be giving away a book, too, so there's another chance to win.

On Friday, March 9, I'll be sticking my head in the oven  drinking myself into oblivion  calling in sick to the day job   um, actually, I'm just going to play that by ear.

So there you have it...a nice earworm from Warrant and plenty of chances to win free books. What more could you want?

Thanks, guys, for your patience with me this week. And thanks so much for your support in buying and reading my books! (Like Believe it or Not, on sale this week! Did I mention that?!)

Friday, February 24, 2012

On kissing and the hardest parts

Normally, I like to choose blog contest winners at random. The process usually involves a bewildered housemate or pet, and contains an element of surprise for everyone (particularly if the aforementioned housemate or pet ingests one of the little slips of paper on which I've written contestants' names, and we must wait for it to pass through the digestive tract to determine a winner).

I decided to do things a little differently for this week's contest. Readers were asked to share things that make them feel "fluttery" for a chance to win a signed copy of my soon-to-be-released romantic comedy, Believe it or Not.

I was so touched by Julie Glover's entry, that I'm going to just award the prize to her. Here's what she wrote:
Julie Glover wrote...
I'm not at my fluttierest at the moment, having been diagnosed with mononucleosis (the "kissing disease" which means I can't kiss for a while! Ugh). But here's the list from the sick patient's perspective:
* My adolescent son comes in every day to ask if I'm feeling better and gives me a hug. Flutter.
* My sister sent me a box of chicken soup mixes purchased from Soups Online. Flutter.
* My husband does double duty as hard worker by day and Superdad by night, then crawls into bed to be my much-needed body heater. Double flutter.
* I love my current WIP. When I give others the elevator pitch, it piques interest. Yeah, me. Will flutter when published and opening my own boatload box of books.

Thanks for sharing yours, Tawna. Congrats on the book. Looking forward to reading it!

Besides the fact that her list was touchingly sweet and I feel bad for anyone who's sick, I'm most sympathetic to the fact that she can't kiss for awhile.  

CAN'T KISS FOR AWHILE!

The thought of that makes me cry a little.

You could walk into my house and remove every bottle of wine from my wine rack and every book from my bookshelves and every sex toy from the basket under the bed before rounding up all my pets and taking them to live at a boarding kennel for the week and it STILL wouldn't equal the horror of not being able to to kiss.

Admittedly, I've gotten spoiled by the pleasure of routinely kissing someone who's ridiculously, toe-curlingly good at it, but still. Kissing is one of life's greatest pleasures, hands down. Or hands up, depending on your preference.

The funny thing is that I struggle a bit when I write kissing scenes. Believe it or Not contains a love scene that spans nearly 20 pages if you count foreplay and smooching (and why wouldn't you count those? They're the best parts!) I love to write scenes that involve breathless groping, frantic tearing of clothing, and all the climactic moments that come next (pun intended, of course).

But if you've read my love scenes, you know that while they're very detailed, I avoid being explicit. You'll never catch me using flowery terms for genitalia or clinical words for bodily functions. Though I go to great lengths to give an elaborate blow-by-blow (snicker), I prefer to leave specifics to the reader's imagination.

Frankly, I think it's hotter that way.

There's something different about writing kissing scenes though. I always struggle with the balance between details (What's he doing with his tongue? How is she tilting her head? Where are his hands?) and the feelings tied to the action. I'm not sure why it's easier for me to find that balance once clothes start flying off. Perhaps it's the line between sweetness and passion, or maybe it's just that kissing can be a lot more intimate than actual penetration when it comes right down to it (snicker).

What do you look for in kissing scenes, whether reading or writing them? Do you have a preference in the level of detail provided? And most importantly, do you share my firm belief that it would be preferable to remove all the skin from your thigh with a carrot peeler and rub the wound with sea salt than go more than a few days without kissing? Please share!

And congratulations to Julie Glover! Send your snail mail address to me at tawnafenske at yahoo dot com, and I'll hook you up with a signed copy of Believe it or Not to read on your sickbed.

Thanks to everyone who played the fluttery game!

Wednesday, February 22, 2012

Share your flutters, win a signed copy of BELIEVE IT OR NOT

Life's been a little roller-coasterish lately. While it sometimes gives me that fun, fluttery feeling in parts of my body that enjoy feeling fluttery, there are other moments I feel the nauseating urge to call Ralph on the porcelain phone.

I need to be better at focusing on the fun & fluttery.

Here are a few of the good giddy moments from the last few days:
  • A big box showed up on my doorstep containing a buttload of copies of my next romantic comedy, Believe it or Not. That made me happy. The book hits shelves March 6 and you can pre-order right now from Amazon or Barnes & Noble or IndieBound. (You can also win a free signed copy if you keep reading and follow instructions, but I want to keep going with the fluttery list for a sec).
  • I finished the first draft of the second episode of Getting Dumped for Coliloquy. This is my "interactive fiction" romantic caper (i.e. choose-your-own-adventure), and I was thrilled to bits the instant I hit send and fired the draft off to my agent, editor, and publisher. I was even more giddy to hear back from the publisher less than 24 hours later expressing her delight with the draft. There will still be edits, of course, but just knowing her initial response wasn't, "have you been eating paint chips?" was a big relief. (Incidentally, the first episode of Getting Dumped is on sale at Amazon right now for $1.99 – get it while it's cheap!)
  • Believe it or Not received several more toe-curlingly wonderful reviews, including this one from Library Journal, which declared. "Fenske’s sophomore effort (after Making Waves) is another riotous trip down funny bone lane, with a detour to slightly askew goings on and a quick u-ey to out-of-this-world romance. Readers will be enchanted by this bewitching fable from a wickedly wise author." That one had me smiling all day long!
  • Thursday marks eleven months since I first had dinner with my gentleman friend with the idea of seeking his counsel as my divorce mentor. Suffice it to say, he's turned out to be a whole lot more than that, and I feel ridiculously, deliciously fluttery every time I think of him. Or see him. Or grope him. Or....is it hot in here?
  • I made a really excellent soup on Monday night. What? You have to celebrate the little flutters, too.

Those are just a few things I'm celebrating in my life right now. How about you? What's making you feel flutters of joy, satisfaction, or delight? Post your list in the comments. I'll review the entries at 5 p.m. PST on Thursday, Feb. 23 and will pick one person to receive a signed copy of Believe it or Not.

So how about it, guys? What's making you feel fluttery?

Friday, February 10, 2012

On heavy breathing & good reviews

I used to think authors were full of crap when they whined about the pressure they feel after a debut novel.

Will the next book get panned? Will readers sneer and insist the first was better? Will groups of roving literary bullies find me in a dark alley and snap my bra and stick ballpoint pens in my eyeballs and light me on fire while chanting "you suck, one hit wonder!"?

It's true – these are the things new authors worry about.

That's why I'm breathing a huge sigh of relief right now (insert heaving bosom joke here).

Early reviews are trickling in for my second romantic comedy, Believe it or Not, which hits shelves in early March. Lucky for me, reviewers have been saying such nice things, I start bawling every time I read what they've written.

Here's a sampling:

From Booklist magazine (a starred review!):
Mar 2012. 384 p. Sourcebooks/Casablanca, paperback, $6.99. (9781402257186).
Fenske’s second romance, after Making Waves (2011), mixes laugh-out-loud funny scenes with a charming pair bent on not becoming a couple. When psychic Moonbeam breaks her pelvis and a number of other bones and lands in the hospital, her daughter, accountant Violet (named for her eye color), returns from Portland, Maine, to her hometown of Portland, Oregon, to take over the psychic-reading business until her mother recovers. There she meets Drew, who owns and runs a bar that features male strippers a couple of nights a week. Although the air ignites when Violet and Drew are together, they agree they aren’t each other’s type. This is just as well since Violet is struggling to give psychic readings and to balance her long-distance accounting clients. Drew, on the other hand, thinks he is perfectly fine dating bimbos, even though he has become somewhat bored with his life. Snappy, endearing dialogue and often hilarious situations unite the couple, and Fenske proves to be a romance author worthy of a loyal following. — Pat Henshaw

From
RT Book Reviews magazine (a 4.5 star review, their highest score!):
Genre: Contemporary Romance, General Contemporary Romance
Sensuality: HOT
Fenske hits all the right humor notes without teetering into the pit of slapstick in her lighthearted book of strippers, psychics, free spirits and an accountant. She handles the cast of oddball characters well, making them sympathetic, funny and very real. Violet has always been embarrassed by her mother’s wackiness, but she doesn’t hesitate to fly across the country when her mom is injured. Now she is stuck running her mom’s psychic studio, even though she doesn’t believe in it. Next door is a bar run by Drew, who’s hotter than the male strippers he hires. He quickly reconsiders his ongoing battle with Miss Moonbeam after meeting her seriously sexy daughter. As Drew and Violet fight their sexual attraction, they can’t seem to stay out of each other’s lives, especially when the businesses are threatened and Violet’s “psychic powers” put the wrong guy in jail. (SOURCEBOOKS, Mar., 352 pp., $6.99) Reviewed By: M.H. Morrison

From
Publisher's Weekly:
Fenske’s sophomore effort (after Making Waves) is an extended meet-cute scenario, with an entertainingly quirky cast that makes for fine escapist reading as long as the reader is willing to exert a stronger than normal suspension of disbelief. When popular psychic Moonbeam is hospitalized, her accountant daughter, Violet, reluctantly steps in to run the shop. Neighboring bar owner Drew Watson has found success by bringing in male exotic dancers. Despite Violet’s protestations about preferring life in Portland, Maine, to Portland, Ore.; her attempts to reciprocate the romantic attentions of Moonbeam’s orthopedic surgeon; and Drew’s stated skepticism of psychic powers and disinterest in dating a type-A woman, they immediately generate a great deal of sexual tension, plus Drew keeps “randomly” selecting songs that answer Violet’s clients’ questions. Are circumstances conspiring to bring them together or drive them apart? Sexually charged dialogue and steamy make-out scenes will keep readers turning the pages to discover the answer. Agent: Michelle Wolfson, Wolfson Literary Agency. (Mar.)

***

There's another awesome review at The Last Word blog, which is so beautifully thorough and detailed, I'd rather send you there to read it than regurgitate the whole thing on my blog.

So that's what has me feeling oh-so-relieved on this Friday morning. How about you? Anything giving you a reason to wipe the sweat from your brow and say, "Yes, YES, YES!"

Please share!

Tuesday, December 20, 2011

CONTEST: What's different about the 2 covers?

Last week, I shared news that the cover for my March release, Believe it or Not, had been posted to Amazon and Barnes & Noble.

Though I'd reviewed drafts of the cover before that, seeing it on those sites was my first time glimpsing the final version.

Or was it the final version?

There was a little confusion, and ultimately, my editor assured me it wasn't. The cover posted on those sites was the cover for the Advance Reading Copies (ARCs). The final version would be a little different.

And yesterday, I got to see the final final version.

Here's a look at the two versions side by side:

If you want to see detail, click the image to make it bigger. You'll definitely want to do that if you'd like to enter my contest to win a signed copy of the ARC.

Here's how it works: study the two covers and make a list of the differences you see between them. Leave a blog comment naming all the differences. To keep things fair, I've turned on comment moderation and won't post any of your entries to the site until the contest closes at 5 p.m. PST on Wednesday, December 21. That way, you can't see each other's entries until the end.

The person who finds the most differences between the two covers will win a signed ARC of Believe it or Not. In the event of a tie, I'll draw a name at random among the finalists.

Sound fair?

OK, let the cover study commence!

Wednesday, November 16, 2011

The power of critique partner feedback (plus an excerpt from Believe it or Not!)

Yesterday's blog post about the value of gaining a fresh perspective on your manuscript or your life prompted a lot of great comments, including this one from Suz Korb:
I don't have my work critiqued any more. Every time I did, the "problems" that readers would pick out were subjective. What kind of "problems" get picked out from your stories? Are they definitely "problems?" I'm curious, because maybe I'm missing out and should be using critique partners.
A lot of writers want critique partners to offer a checklist of factual errors and plot issues that can easily be quantified and solved. While that would be lovely, the truth is that you also want those subjective "just my opinion" tidbits. In fact, those are some of the most valuable things you can gain from the critique process.

Why?

If you're writing with the goal of publication, it's safe to assume you hope to have readers someday. It's also safe to assume those readers will have varying backgrounds, sensitivities, and life experiences. While it's impossible to predict the reaction of every potential reader, you want a pretty good idea if something you've written is going to annoy, irritate, offend, confuse, or bore someone.

I have three regular critique partners and three beta readers. Unsurprisingly, they're six very different human beings.

My upcoming March release, Believe it or Not, contains a scene I wrote with the goal of showing a connection between my hero and heroine while also showing a lack of connection with their respective dates.

I loved the scene just the way I wrote it. So did most of my critique partners and beta readers.

But there was one voice of dissent. One critique partner found Drew and Violet condescending and rude. The whole scene rubbed her the wrong way.

I'll confess, the feedback annoyed me at first. My other readers hadn't responded that way. They were perfectly amused, and laughed in all the right places.

But that's the crux of the issue – the idea that there's a "right" or "wrong" way to read a scene.

If I were writing only for myself, I could give an indignant sniff and insist my critique partner is a moron who just doesn't get it.

But I'm writing for public consumption, and if one out of six readers gets a bad vibe from a scene, I have to consider the likelihood she won't be the only one.

So I edited. I tweaked. I massaged. I noodled.

And in the end, the scene left a much better impression on my critique partner. Does this mean she was "right" and I was "wrong?" Nope.

Does it mean my other readers were "wrong" for liking it the way it was to start? Again, nope.

But at least now, I can feel assured that the scene is less likely to irritate readers with the same sensibilities as that critique partner. And let's face it – when you're writing for commercial publication, it's important to annoy as few people as possible.

So now that I've talked it up so much, I'm going to include the scene here. Believe it or Not won't be released until March, and I'm not entirely sure my editor would be pleased to have me posting excerpts. Don't tell, OK? But if you want to, you can pre-order the book on Amazon or Barnes & Noble or Powell's Books.

Here's the scene:
Drew was focusing very hard on trying to remember his date’s name. Did it rhyme with a fruit? No, that was the girl he’d gone out with last week.

It started with a G, he was pretty sure about that. Gilligan?

It didn’t matter at the moment, since she hadn’t paused for breath in over an hour.

“…and so then we broke up, but we had like five more months on our lease, and he couldn’t find another place to live and I was like, ‘Dude, I’m not leaving, this place is like four blocks from where I work,’ so I told him he could crash on the couch as long as he stopped borrowing my underwear, and so…”

Drew frowned. Maybe her name didn’t start with a G. It definitely sounded Middle Eastern. Or maybe it rhymed with a spice. Or was it something that sounded like a cleaning product?

“…so, you know, I like totally threw him out when he climbed into my bed when he was drunk, but he was all, ‘Babe, it’s totally not my fault,’ and I was like…”

Drew swirled the cherry Coke in his glass and tried hard to remember her name. He could almost picture it on the slip of paper at the bar with her name and number scrawled in bubbly writing. How many of those scraps had he collected since his divorce? Too many to count. Too many to remember names.

God, you’re a jerk, his brain told him.

Rhonda? No, that wasn’t it. Persimmon? Bambi? Dammit. It was much too late to ask, since they’d been on this abysmal date for more than an hour now, and he’d been the one to invite her out anyway.

What a dumb idea.

But it had been his habit in the years since his divorce. Call up one of the dozens of girls who’d slipped him their number at the bar—a disturbingly frequent occurrence, in Drew’s opinion. They’d meet for drinks at the Portland City Grill, and if the conversation sucked, at least the food was fabulous and there was always the beautiful view of the city.

He looked out the window and wondered if Violet had ever been here. Would she enjoy the view of the river or seize the opportunity to recite statistics about water pollution and Portland’s freakishly high number of bridges? He wasn’t sure he’d mind either way.

Stop thinking about Violet.

Bad idea on so many levels. He sure as hell didn’t need another high-strung woman in his life. Not even if she had amazing eyes and beautiful hair and breasts that—

“Are you listening to me?”

Drew snapped back to attention. “What? Yes. Definitely.”

“Because it seems like you’re just looking out the window.”

“I was listening,” Drew insisted. “I was just enjoying the view.”

The girl gave him a skeptical look. Mindy? Sarah? Was there any way he could bluff his way through the rest of this date without knowing her name? He felt like peeling the sole off the bottom of his shoe and beating himself on the forehead until he passed out.

“Hey!” his date squealed. Drew looked up to see she was waving at someone over his shoulder.

“That guy over there,” she said. “He did my knee surgery last year, after I injured it in pole-dancing class.”

Drew picked up his drink and scanned the crowd, noticing how packed the place was for a Monday.

He froze with his glass halfway to his lips. Violet?

She saw him at the same moment, and the shock registered plainly on her face. Drew watched in horror as Violet’s companion followed the direction of her gaze right to their table.

“Hey!” called Drew’s date again, waving madly as she sloshed her drink across the table. “Hello, Dr. Abbott! You want to come and sit with us?”

Drew shook his head. “I’m sure he doesn’t want to sit with us. He’s on a date.”

Something in his heart twisted at the word date, and he looked at Violet again. She was smiling at the doctor, her beautiful eyes fixed on his face. Drew’s heart twisted again, so he looked back at his own date.

She slugged him in the shoulder. “I think I hurt my wrist bowling the other night. I want Dr. Abbott to take a look at it.”

Drew sighed, not sure whether to be annoyed with her or with himself for asking her out in the first place. Normally he wasn’t so easily annoyed, especially by a beautiful woman, but there was something different lately. Something he couldn’t put his finger on.

It didn’t matter, since Violet and Dr. Abbott were making their way toward the table. Drew tried not to stare, not to notice the luscious sway of her hips, the way her hand fluttered up to smooth her hair behind her ear.

God, she’s beautiful.

“Wow, it’s really packed in here,” Violet said, clutching her little purse against her stomach. “You guys got lucky nabbing a window seat with these sofas.”

“I come here every Monday night,” Drew said. “Arriving early is the trick to getting good seats.”

He saw something flash across Violet’s face. Surprise? Irritation? He wasn’t sure. She recovered quickly though, and placed her hand on the annoyingly broad shoulder of the man beside her. “Drew, this is Chris Abbott, my mother’s orthopedic surgeon. Chris, this is Drew Watson. He owns the business next to Moonbeam’s shop.”

“Great to meet you,” said the surgeon, giving Drew’s hand a firm but friendly shake.

“It’s so great to see you again, Dr. Abbott,” piped up Drew’s date, scooting over to make room on the sofa beside her.

“You too,” said Dr. Abbott, no help at all with the name.

Violet looked at Drew, then at the girl, clearly awaiting an introduction. Drew opened his mouth to speak, but closed it again. He was completely, utterly blank.

Violet’s eyes held his for a moment, intense and gorgeous and utterly spellbinding. He was pretty sure if he had known his date’s name, he would have forgotten it right then.

God, those eyes.

“Drew, come sit over here by me so these two can have the other sofa to themselves,” his date chirped.

He tore his eyes from Violet’s and offered a weak smile. “Sure, good idea.”

He grabbed his drink and stood up, relieved to realize he’d somehow gotten away with failing to introduce her. He gestured to the vacant sofa in an invitation to Violet. She moved past him, her hair brushing against his shoulder as she slid by. Drew breathed deeply, inhaling the scent of lavender and vanilla. He felt his hand start to rise, intent on stroking her hair.

Are you out of your fucking mind?

He dropped his hand. “Tight quarters.”

She looked up quizzically, her big, violet eyes studying him with an unasked question. Drew lost his breath.

Then she cut her glance back at the other sofa and raised one eyebrow.

Shit. She’d noticed the skipped introduction. Drew raised one shoulder in a helpless shrug and moved around the table to sit beside his date.

Now she thinks you’re a cad.

Okay, maybe he was. Since his divorce, anyway. Funny how it had never bothered him before.

He watched Violet settle onto the sofa and cross her legs primly. She folded her hands over her knees and Drew tried not to stare at her long, perfect fingers and rounded nails, bright with clear polish. He wondered what those nails would feel like dragging down his back and then gave himself another mental kick.

“So how long have you two known each other?” Violet asked as she signaled a passing waitress.

“Oh, this is our third date,” chirped Drew’s seatmate.

Really?

Drew took another sip of his drink and wondered if it might be wise pretend to go to the restroom and slip out the back door. He could just avoid this whole uncomfortable scene—the nameless date, the awkward conversation, the sight of Violet with another guy.

Then Violet recrossed her legs, her skirt riding up a little above her knee. Drew sat back in his seat, suddenly interested in sticking around awhile longer.

To his right, Drew’s date had begun to chatter to Dr. Abbott about the pain in her wrist. Drew had to give Violet credit, she’d picked a nice guy. Most doctors he knew would have told the girl to book an appointment by now.

Something hit Drew in the foot. He looked down to see a fork lying beside his shoe. He glanced across the table at Violet, who shot him a look. They bent down to retrieve the fork at the same time.

Apparently, that was Violet’s plan.

“You don’t know your date’s name?” she hissed in his ear.

Her hair tickled his nose, and Drew fought the urge to drag her down on the carpet and grope her under the table.

Classy, dude. Really classy.

“Help me out,” he whispered back.

“Me?”

“I just need a clue.”

“No kidding.”

“Her name’s been on the tip of my tongue all night, but I can’t remember.”

“Maybe you should be more selective in how you use the tip of your tongue.”

He grinned. “Are you talking dirty to me under the table?”

“Merely pointing out that if you dated with your brain instead of your—” She bit her lip. “You wouldn’t be in this mess.”

“Please help?”

“What am I supposed to do?”

“I don’t know… aren’t you the psychic here?”

She smacked him on the arm and sat back on the sofa. Drew sighed and sat back, too. Okay, so the “psychic” jab probably wasn’t smart. He was feeling desperate.

Drew looked over to see their dining companions were still chatting away like old friends. The waitress showed up at their table with glasses of water, and Violet ordered a complicated-sounding Chardonnay. The doctor ordered a gin martini, and Drew’s date requested something fruity and neon colored.

“Cherry Coke,” Drew said, lifting his empty glass.

Dr. Abbott raised an eyebrow. “Not a drinker, Drew?”

“On occasion. I just tend to prefer cherry Coke.”

“Hmmm,” said the doctor in a tone that suggested either disinterest or a belief that Drew had the maturity of a third grader.

Probably right, there.

As soon as the waitress had gone, Violet cleared her throat. “So what is it you do?” she asked Drew’s date.

Excellent, Drew thought, shooting her a grateful look. They can exchange business cards.

Violet took a sip of her water and folded her hands again.

“Oh, I’m a cocktail waitress.”

Drew sighed. No business cards.

“Actually,” the girl chirped, patting her left boob, “I came straight here from work and almost forgot to take off my name tag. Can you believe it?”

A name tag, Drew lamented quietly. So close.

“So Drew,” said Dr. Abbott. “What sort of business is it you own?

He looked at the guy and tried not to be pissed that the good doctor had scooted so close to Violet, he was practically in her lap. “A bar,” Drew said. “Voted ‘Best in Portland’ two years running.”

“They have the most amazing male strippers on Friday and Saturday nights,” his date added. “Super hot.”

“Thank you,” Drew replied, feeling oddly proud.

“Male strippers,” Dr. Abbot repeated, looking bemused. “That’s… interesting.”

Violet cleared her throat and jumped in. “Chris and I were just talking on the way over here and he mentioned that he was named after Christopher Latham Sholes—the guy who invented the typewriter in 1867. Isn’t that interesting?”

Drew reached for the lifeline she’d thrown him—lame as it was—reminding himself to show his gratitude in some way that didn’t involve getting her naked.

“That is interesting,” Drew said. “And you’re named for the color of your eyes, right?”

Violet blinked at him. Drew lost his breath again.

“Should we order?” asked Drew’s date, frowning at the menu. “Happy hour is almost over.”

Drew slumped in his chair, defeated. He’d probably never know his date’s name. The only thing mildly cheering was the knowledge that Violet and her date had nothing better to talk about than who invented the typewriter.

Then again, it’s not like he was wowing her with scintillating conversation. Toilet paper? Juggling? The superiority of the term butt rock over glam rock?

Drew slumped deeper in his chair and took another sip of his drink. Maybe he could make it through the rest of the night calling his date “pumpkin” or “love chicken.”

The waitress appeared again, and Drew waited until the others had made their selections before placing his order, not bothering to consult the menu. Violet quirked an eyebrow at him.

“I always order the same thing,” Drew said as he handed his menu back to the waitress. “I come here a lot.”

“You mentioned that,” Violet said dryly. “My mother, on the other hand, did not.”

“What?”

“Nothing.”

Violet reached for her wineglass and took a sip, apparently drinking more cautiously than she had the previous night. He studied the way she held the glass, her exquisite fingers curved around the stem. He wondered if she’d learned the precise way to hold a piece of stemware or if it just came naturally.

As if sensing his eyes on her, Violet turned back to Drew. “So, do you have some sort of low-grade hearing loss?”

“What?”

“You were blasting the music so loud, the mice woke up and started running in their wheel to the beat of ‘Eye of the Tiger.’”

“Sorry about that. Moonbeam never seems to notice, but I’ll try to keep it down.”

“You weren’t kidding about the eighties music.”

Drew grinned. “We’re actually doing this whole eighties theme next week. We were trying to find the right song for Jamie’s routine.”

“Sounded like you found the right one. Either that, or you just wanted to play that stupid ‘867-5309’ song over and over and over—”

“‘Jenny,’” he said, lifting a glass to the most famous—albeit the only—hit Tommy Tutone had ever recorded.

“Hey!” squeaked Drew’s date. “That’s how I got my name. My mom totally loved that song, and my dad was like, ‘Whatever,’ so that’s what they named me, even though the song had been out for like five years by the time I was born.“

Drew stared for a few beats, certain he couldn’t possibly have gotten so lucky. “Jenny?” he asked. “That’s your name? Jenny?”

She scowled at him. “What the hell did you think it was?”

“Jenny, of course,” he backpedaled. “I knew it was Jenny. I just…” Drew picked up his drink and downed it in one gulp.

Jenny was glaring at him in earnest, and Drew wondered if she planned to throw her neon-pink drink in his face. He probably deserved it. Maybe he should save her the trouble and just pour it over his head and call it a night.

Across the table, Violet cleared her throat. “Didn’t that song come out in 1982?” She shot Drew a look that said exactly what she thought of him dating a woman barely over the legal drinking age.

Jenny turned toward Violet, her drink-tossing plans momentarily forgotten. “Something like that, why?”

“No reason,” Violet said. “Actually, 1982 was the year a brutal cold snap swept in from Canada and plunged temperatures in the Midwest to all-time record lows. Even Portland recorded a record low temperature for September, which was forty-one degrees Fahrenheit. Statistically speaking, a meteorological event like that—”

Drew sat back in his seat and let Violet carry the conversation away to safer, albeit weirder, territory. He was grateful. He was relieved.

He was also ridiculously, stupidly certain he was falling for her.

Idiot.

Tuesday, July 26, 2011

What slips in when you don’t notice?

The other day, someone asked my mom if she’s a terrible cook.

The question caught her off guard, and it took her a moment to realize the person was referring to the first chapter in Making Waves. In it, my heroine’s mother is casually assembling the world’s most disgusting Jell-O salad. It’s intended for comic relief, and not autobiographical in any way.

For the record, my mother is an excellent cook.

But it did get me thinking. There are plenty of people who’ll read my books and look for nuggets of my real life in there. In most cases, they’ll be barking up the wrong tree.

Then again, I’m sometimes surprised at what slips in unexpectedly (um, no pun intended. Oh, what the hell – it’s totally intended).

Not long ago, someone I don’t know well read an early draft of Believe it or Not, the book now scheduled as my second release.

“So you have a hand fetish, huh?” he asked when he’d finished.

“Um, what?”

“A hand fetish,” he repeated. “It’s totally obvious you’re obsessed with men’s hands.”

And dammit all to hell if he wasn’t right.

I hadn’t realized how thoroughly I’d revealed myself until he pointed it out, but there it was for all the world to see. Yes, I will admit it – I am driven to the brink of lust-fueled insanity by a great pair of hands.

Another time, one of my critique partners picked up on an unexpected pattern. “Do you realize at least four books you’ve written have sexually-charged scenes taking place in or near a shower?”

I went back and looked, and sure enough, there they were – a makeout scene that starts with two characters inspecting mold on a shower curtain, a phone sex scene when the heroine answers a call in the middle of showering, an actual sex scene on a bathroom counter, and of course, the much-buzzed-about shower scene in Making Waves (the only one of those aforementioned books currently out there for public consumption).

The whole thing made me wonder. Do I have a thing for showers? Should I seek clinical help, or just install some sturdy handrails and a skid-proof shower floor?

I’m not sure about the answer to any of those questions, but I’m not too worried about it. While I do follow the old adage to “write what you know,” that’s certainly not all I write. That would either be really boring or grounds for arrest.

How much reality slips into your writing? Does the line tend to blur? Do you worry that people will think something’s autobiographical when it isn’t (or recognize it is when it is?) Please share!

I’ve got a sudden urge to find someone with really great hands and make a beeline for the shower. What? It’s research.

Monday, November 1, 2010

Secrets under my clothes & in my stories

On Friday I had an IMPORTANT MEETING.

The kind where IMPORTANT PEOPLE discuss IMPORTANT THINGS over IMPORTANT FOOD.

Before I took this new job, I worked from home for three years. Most of my meetings happened via teleconference, which meant I could dress in a tube top and diaper and no one would know.

I don’t have that luxury with the new job, so I’ve been adding to my wardrobe. When I got dressed for Friday’s IMPORTANT MEETING, I suited up in my new IMPORTANT SKIRT.

Then I discovered a frayed spot. Nothing noticeable, but something that would worsen with a few washings. I knew I needed to return the skirt, but I was already dressed and really wanted to wear it.

I decided to tuck the price tag under the waistband.

Then I pictured the inevitable moment in the IMPORTANT MEETING when the tag slipped out and everyone turned to stare.

Feeling clever, I safety-pinned the tag inside my waistband.

Then the tag began to itch. Scratching yourself is not a nice way to make a good impression in an IMPORTANT MEETING, so I further demonstrated my ingenuity by safety-pinning some folded squares of toilet paper over the tag.

By the time the IMPORTANT MEETING rolled around, I marched in with my head held high and my toilet paper covered price tag safety-pinned at my hip.

No one ever knew.

But there was something about that ridiculous little secret that made me feel kind of clever. Like I was getting away with something. True, it wasn’t very classy, but it made me smile.

It reminded me of a question we pose to guest blogging authors at The Debutante Ball:

Tell us a secret about the main character in your novel – something that’s not even in your book.

I was delighted when my idol, Jennifer Crusie picked that question from a list of about 20, and gave the following response:

Andie knew the mix tape was under the front seat of her car, she just couldn’t bring herself to throw it away.

Even if you’ve never read Crusie’s MAYBE THIS TIME to understand the context, I still think it’s noteworthy. Here’s this secret little tidbit Crusie chose to hold back about her character. Something small – but still meaningful – that only she knew.

I’ve done it myself from time to time. When I’m trying to get to know a character better, I’ll brainstorm things that help me understand what she's like. These aren’t details meant for the stories. They’re only meant for me, to help shape my understanding of the characters.

Reese from LET IT BREATHE wasn’t really upset when Clay ruined her wedding cake.

Violet from BELIEVE IT OR NOT has a crystal pendant she wears tucked under her shirt when she feels homesick.


Juli from MAKING WAVES thought she’d marry her last boyfriend, and thinks it’s her fault it didn’t happen.


None of those things are in the books, and you probably wouldn’t guess them from reading. But those details were there in the back of my mind, helping shape the characters as I wrote.

Do your characters have little secrets? Things you won’t include in the book, but that help you clarify what makes them tick?

Please share.

And while we’re sharing, I should tell you I’m thinking of wearing the diaper and tube top to my next IMPORTANT MEETING. I think it’ll give me an edge.

Tuesday, October 26, 2010

Mood music and earworms

Yesterday was rough.

I don’t mean that in the “if it’s not rough it isn’t fun” way, either (though I’m kind of impressed with myself for combining my dog’s death with a raunchy Lady Gaga lyric).

I’m a fiend for music – even Lady Gaga, though that’s not generally my first (or second, or twelfth) choice of ear candy. I can’t stand to be in a car or at my computer without music playing. If someone cut off my access to Pandora, I’d probably never write another book again.

I’ve seen authors who compile soundtracks for their books, and while I haven’t gone that far, I definitely have songs that capture the mood I’m trying to create in certain scenes.

When I wrote the final love scene in LET IT BREATHE, I played Patty Griffin's "Change" over and over again. I must have hit replay 25 times before I had things nailed down just the way I wanted them (note the clever use of the word “nailed.”)

The Push Stars’ song “Claire” became my unofficial theme music for the budding relationship between Drew and Violet in BELIEVE IT OR NOT.

And every time I hear Joseph Arthur’s “Tattoo,” I’m back in the early chapters of MAKING WAVES, trying to capture the rhythm of a boat crashing through the ocean.

For me, it’s about mood more than lyrical content. “Change” isn’t the least bit romantic if you’re only paying attention to the words, but it set the tone I wanted for that scene in LET IT BREATHE. There’s no character named “Claire” in BELIEVE IT OR NOT and no one ever utters the phrase “I would die for you,” but there’s still a certain vibe to the song that captured the relationship between those two characters.

I was curious if my idea of vibe would match someone else's, or if it’s one of those subjective things. I whipped out the iPod in the car one afternoon and made Pythagoras listen to “Claire” first, then “Change.”

“So based on that,” I said. “What sort of mood would you guess each of the two love scenes might have?”

Pythagoras laughed. “Why do I think that last one is something I don't want my mom reading?”

Pretty much.

Do you listen to music when you write? Do certain songs catch in your brain when you’re reading scenes in books?

Please share. I need to go download something new to scrub that Lady Gaga earworm from my brain.

Wednesday, October 13, 2010

Bad behavior in cheap hotels

The other day I heard two travel professionals debating the desirability of a certain group of tourists.

I forget who they were discussing or what criteria they used to determine the likelihood of a hotel guest blowing snot rockets on the shower curtain, but it reminded me of one of 1,000 jobs that helped pay my college tuition.

I cleaned rooms at a mediocre hotel, which is precisely as glamorous as it sounds. I got to handle people’s soiled bed sheets and wonder about the crusty things clinging to damp towels.

In mid-summer, we got word that a big motorcycle rally was passing through town. The hotel staff braced for the worst, picturing leather-clad bikers smashing televisions and punching holes in the walls.

We couldn’t have been more wrong.

They made their own beds and picked up their towels. They left generous tips and arranged their leathers neatly in the closets. One biker even left a rose and a heartfelt note thanking me for my service.

I felt guilty for equating Harleys with bad behavior and gratefully pocketed the cash.

Two weeks later, a well-known symphony group booked a block of rooms. I prepared for more tips, perhaps an entire bouquet of roses from the well-heeled musicians.

They trashed the place.

Puke glued to the side of the toilet, unmentionables stuck to the sheets, furniture destroyed, and not a single tip for any of the maids.

In a way, it was a better lesson for me than the bikers had been. The cultured symphony folks were just as capable of bad behavior as I’d assumed the bikers would be, and the bikers were as tidy and thoughtful as I’d naively thought the musicians were. Bottom line, you can’t judge a book by its cover, a biker by his chaps, or a pianist by the fact that is job title sounds delightfully like penis.

It’s been 15 years, but I still cling to my mental picture of the tattooed biker in his leather jacket writing a poignant thank you note to the maid, or the violinist standing atop the television to urinate on the carpet.

That may be one reason my books always end up with characters who bend stereotypes. MAKING WAVES includes a former NFL tight end turned cross-dressing gourmet chef, along with a ruthless pirate who happens to be a literary theologian. The romantic hero in BELIEVE IT OR NOT owns a male strip club – something that made my editor nervous when she first read the manuscript.

I had fun mulling people’s preconceived ideas about those characters and then turning those stereotypes on their heads. Toying with the unexpected is what romance writing is all about for me.

Do you play with stereotypes in your own stories? Do you like reading books where people aren’t what they seem? Please share.

And please tell me you never touch the comforter in a hotel room. Not unless you’re wearing rubber gloves and a HazMat suit.

Thursday, October 7, 2010

How to measure the smut?

I told you last Friday that the most common question at the “librarian speed dating” event focused on what each book was about.

Want to know the second most common question?

It was always accompanied by a slight shift in the chair, maybe a glance to one side or the other, even a blush in one case.

Then the librarian would clear her throat. “How steamy is your book?”

The first time someone asked, I choked on the grape I was eating. Then I quietly gave myself the Heimlich maneuver while the other two authors at my table used words like “closed door” and “discreet.”

When it was my turn, I shrugged. “My debut, MAKING WAVES, includes the word ‘vibrator’ 17 times.”

The number was on the tip of my tongue because I’d counted the previous week to amuse myself. It’s true, but it doesn’t paint the whole picture. The book contains a fair amount of bawdy humor, but the hero and heroine don’t consummate their relationship until fairly late in the story. Technically, the scene fades to black before the actual “moment” occurs (depending, I suppose, on how you and Bill Clinton define “moment.”)

That differs a bit from the second book in my contract, BELIEVE IT OR NOT. Though it may change if my editor requests it, the “moment” in that book lasts for nearly 20 pages and actually made me blush once on a read-through.

Both books are packed with a lot of risqué humor that might not resonate with all library patrons, and there’s a helluva lot of sexual tension in both. But steaminess? I’m not sure how to define that.

I did have to laugh when one of the librarians described an elderly patron returning to the library with a romance novel that had been recommended.

“This is the filthiest book I’ve ever read!” she declared as she thrust it at the librarian.

“Um,” said the librarian, fumbling for words.

“Where can I find more?”

How do you judge the steaminess quotient in a book? How do you measure the smut? Is it risqué language, sexual tension, the duration or graphic nature of actual love scenes, or something else entirely?

More importantly, does it matter?

In case it maters how many times the word “lust” is used, that would be 10 times for MAKING WAVES, 14 times in BELIEVE IT OR NOT, and 6 times in LET IT BREATHE.

Just thought you should know.

Wednesday, July 14, 2010

The fine art of undressing

Lately, Pythagoras has spent a lot of time practicing taking his clothes off.

No, he’s not training to be a stripper. He is training for his first triathlon, and I’m amazed to discover there’s an art to shucking wet, sweaty clothing in public places.

An Olympic-distance triathlon starts with a 1.5 km (1500-yard) open-water swim, followed by a 40 km (24.1-mile) bike ride, finished with a 10 km (6.2 mile) run. Each stage requires different gear, and since races are won and lost by a couple seconds, how you strip is important.

Yesterday afternoon, he finally got the wetsuit he'll wear for the swimming leg on Saturday.

He promptly stripped in my office and tried it on. I promptly forgot the scene I was writing and stopped to enjoy the view.

“I need to practice taking it off now,” he said.

“Great!” I agreed, powering off the computer.

“What if I filled up the bathtub, got in with the wetsuit on, and then jumped out and practiced taking it off fast?”

I frowned. “Not my first choice, but as long as I get to watch.”
I can help zip up,
but not take off.

I do not, however, get to assist. That’s the rule in competition. Athletes must wriggle out of their sopping wetsuits – necessary for buoyancy and warmth in a frigid river – and strip down to the damp cycling shorts underneath. Then they cram their bare feet into the cycling shoes they’ve pre-clipped to their pedals, and away they go.

It’s a complicated endeavor, but not a whole lot trickier than getting the characters naked in a novel.

I spent last night making some tweaks to the final love scene in LET IT BREATHE, paying special attention to how the characters undressed.

Removing shirts and undergarments can be sexy.

Removing socks and work boots, not so much.

The way the clothes come off says a lot about the characters and the scene they’re in. The final love scene in MAKING WAVES is playful and fun, while the one in BELIEVE IT OR NOT involves some irreparable damage to a silk blouse.

This scene in LET IT BREATHE is an odd mix of both, and I’ve gotta admit, I devoted ten minutes last night to fine-tuning the way the hero removes the heroine's bra.

What sort of undressing do you prefer as a reader? As a writer? Do you like to know about each article of clothing as it’s cast aside, or would you rather skip those details? Do you want to see buttons flying across the room, or is slow seduction more your style?

For this scene, I know what I need. I’m about 99% there now.

For the triathlon, though – well, Pythagoras is on his own.

Too bad. That wetsuit is kind of hot.

Tuesday, July 6, 2010

Downward dog never looked so good

As I hit the home stretch in this manuscript and my brain loses the ability to tell time, I keep missing my regular yoga class and ending up in a more intense one.

It’s one of those classes – the kind where the instructor has to stop frequently to mop sweat off the floor, and I have to stop frequently to see if she’s kidding when she suggests I stand on one leg and put an ankle behind my head.

But there’s a key advantage to this class – it draws a lot of men.

A lot of shirtless men.

A lot of shirtless men with toned bodies who – if I’m very lucky – might park their yoga mat in front of mine and provide enough visual stimulation to distract me from the fact that I’m contorting myself into positions a Barbie doll couldn’t manage without removing a limb.

I was pleased to have one of these shirtless specimens in front of me yesterday, and I’ve gotta say – I’d never miss another class if someone could assure me he’d always be there.

Since he showed up late when we were all face down contemplating our spleen chakras, I didn’t see his face. All I could see for the entire hour of class was that dark, rumpled hair, those muscular legs, that broad expanse of naked back.

I silently thanked the instructor every time she ordered us into crescent lunge because I got to watch those shoulders flex.

I said some additional silent thank yous I couldn’t see his face.

I know that might seem odd, but it’s something I consider each time I write a love interest in one of my novels.

One reason I love reading so much more than movies or television is that I get to use my imagination to decide what people look like. I usually get a starting point like hair and eye color, but it’s up to me to fill in the blanks.

And I do love filling in those blanks.

It’s something I’m aware of in my own writing as well. How much physical description should I provide about my characters? How much should I leave to the imagination?

I’ll admit I’ve straddled the fence on this. The hero in LET IT BREATHE – the third book in my contract – has brown hair and eyes, with broad shoulders, great hands, and a mysterious tattoo.

Beyond that, I’m not providing a ton of detail.

This differs from the second book in my contract – BELIEVE IT OR NOT – in which the hero bears a strong resemblance to John Cusack.

Which do you prefer as a reader? As a writer? Do you like knowing exactly what a character looks like, or do you prefer having it left to the imagination?

Please share in the comments.

Oh, in case you’re wondering, I did see hot yoga guy’s face at the end of class. I was disappointed. Not that he was unattractive – that wasn’t the case at all – but just because he looked nothing like what I’d imagined.

He’s still welcome to park his yoga mat in front of me anytime. I’ll even save the spot.

Friday, February 26, 2010

Just a normal Friday, except...

So I’m having a tough time deciding what to blog about, and I’ve decided to take a vote. Which of the following would you like me to discuss?

1) Tips and techniques for proper tooth brushing.
2) The role of Alkiviades in ancient Greek history
3) My new three-book deal with Sourcebooks, Inc.
4) How to change the spark plugs in your car.

Alkiviades, you say? Excellent choice.

Alkiviades lived from 452-402 BC and is considered one of the most controversial figures of the antiquity. A member of the democratic parataxis, he—

What? That wasn’t what you wanted me to discuss? Oh, you wanted to hear about the book deal?

Well then . . .

For several weeks, Wonder Agent Michelle Wolfson and I have been having talks with Editor Deb Werksman at Sourcebooks, Inc. Though many aspiring authors probably start off thinking you just write a book and hand it off to an editor who either buys it or doesn’t, the process is seldom that simple.

For one thing, Sourcebooks is big on building authors’ careers – not just publishing one book. Savvy publishing professional that she is, Deb wanted to see a complete career arc and a “hook” that sums up the sort of books readers can expect from me. The three of us have spent weeks brainstorming titles and marketing ideas and concepts for future books.

We finally got everything nailed down just the way we wanted it, and Deb informed us on Monday that she would be taking it to her editorial board Thursday as a proposed three book deal. She wanted BELIEVE IT OR NOT, MAKING WAVES, and LET IT BREATHE. The first two are written, the third is not.

All day yesterday, I waited patiently (read: bit my fingernails and carried the phone with me every time I went to the bathroom) for news. Around 2:45 PST Michelle emailed to let me know she hadn’t heard anything and that it was possible the meeting had been canceled due to bad weather.

I resigned myself to not hearing anything that day and got busy doing the dishes. One hour later, the phone rang. It was Michelle, and I knew from her grim tone that bad news was coming.

What I actually should have known from her grim tone is that my agent is a sneaky wench who delights in yanking my chain by making idle chit chat in a faux-somber voice when I just wanted to scream “WHAT IS IT WHAT DID THEY SAY?!?!?!?”

She finally put me out of my misery and told me about the offer. She gave me the details, which I feverishly jotted on the back of a grocery receipt while the dog licked my ankle. Tentatively, the first book is scheduled for release in August 2011, with the other two coming out over the course of the following 12 months. This makes me happy because (a) having three books released in a 12-month span is a fabulous way to build a readership, and (b) August is a great month for a release not only because my books are excellent beach reads, but because it’s my birthday month!

So that’s what I know right now. Well, that and the fact that WONDER AGENT MICHELLE WOLFSON TOTALLY RULES!

And I’m really, really looking forward to working with Deb Werksman as well, since she’s an amazing editor who clearly has terrific taste in books. I’m also excited about being published with Sourcebooks. As some of you may recall from a previous post, Sourcebooks published one of my very favorite books (Tiffanie DeBartolo’s HOW TO KILL A ROCK STAR) as well as several others that have been favorites with my drinking club . . . er, book club . . . over the years.

So this is very good news all around. Now if you’ll excuse me, I’m going to go climb up on the roof with a bottle of champagne and a megaphone so I can shout it out to the neighborhood.

Wednesday, February 24, 2010

Why titles are a bitch

I’ve been thinking a lot about book titles lately.

This is probably because I’ve had to come up with a buttload of them in recent weeks, some for books I haven’t even written yet. I think this may be my agent’s attempt to kill me.

Because the truth is that I hate coming up with book titles. I’d honestly rather take a carrot peeler to my forearm and spritz the wounds with grapefruit juice.

In my mind, every book I ever write or consider writing is titled by combining some element of the book’s theme and the word “bitch.” It’s quite simple. The book I sold to Silhouette Bombshell staring a ski patroller was “Snowbitch.” The follow-up starring a heroine competing in the Iditarod was “Sledbitch.”

My most recent projects include “Psychicbitch” (BELIEVE IT OR NOT) and “Dumpbitch” (GETTING DUMPED). I think it startled my agent the first time I accidentally referred to one of my manuscripts this way, but she now shares my habit of forgetting a manuscript’s actual title in favor of the simplified bitch-version.

Unfortunately, my bitch-titles don’t work in the real world.

Fortunately, I’m very lucky to have some excellent tools at my disposal for developing real-world titles. By “tools” I mean friends and family (not that I’m calling you guys tools, but hey – some of you kind of are).

My loved ones have been amazing contributors to the process, sometimes offering terrific ideas and sometimes offering abysmally bad ones that morph into ideas that are actually quite decent.

When my agent asked me recently to conduct a quick poll of friends and family and their feelings about a list of potential titles, I was stunned to have nearly everyone – about 30 people in all – reply within a matter of hours. I was also a little stunned by some of their preferences, which indicate that in addition to the tools, I know a surprising a number of perverts. Apparently several of them feel it’s vital to my writing career that my name someday appear on the cover of a book with the word “booty” in the title.

Another secret weapon in my arsenal of titling strategies is the winestorm. The winestorm is pretty much like a brainstorm except for the obvious distinction of including wine. Lots of it. I have a handful of friends who will gleefully participate in a winestorm regardless of whether they have any notion what the book is about. Or whether they’re literate. Past winestorms have yielded some terrific ideas for book titles, as well as a number of titles that will be useful if I ever decide to enter the adult film industry.

But probably my most treasured resource in the titling warefare is my friend, JJ, a woman known to me as Her Royal Majesty the Title Queen. JJ isn’t a writer. She actually works in the technology field, and to my knowledge, has no aspirations to write a book. But I can give JJ a one-paragraph synopsis of any book and she’ll come back to me with half-a-dozen potential titles that are roughly 1,597-times better than anything I could possibly come up with on my own. When I made the switch from writing women’s action/adventure for Bombshell to writing quirky comedy, I wasn’t certain JJ would still be up to the task. To my delight, she kicks ass at quirky comedy even more than she kicked ass at kickass action/adventure. (And yes, for those of you paying attention, I did in fact name the heroine in GETTING DUMPED for her).

The funny thing is, as much effort as we put into coming up with titles for my books, it’s a fact that publishers will often scrap an author’s title in favor of something they’ve come up with on their own. I know this to be true, which is why I try not to get attached to any of my titles. Even so, it’s crucial for an author to put her best foot forward. No sense giving an editor reason to reject a book based solely on a title that makes her want to beat her forehead with a shoe.

So bottom line, I do my best with titles. And since my best tends to suck, I do my best to absorb the combined wisdom of my friends, family, and all the tools and perverts I know. Isn’t that what writing’s all about?